biographical info
I suppose it is not uncommon for a band to be a product of their environment,
but Shout Out Out Out Out is certainly a group as rich in paradox and contrast
as the 780 area code. Edmonton is about
as remote man outpost of a major city as you'll find anywhere in Canada, yet close to a million people
choose to live there. Why would anyone choose to live there? Why would anyone
choose to base a band there? Maybe it's because it takes a band like Shout Out
Out Out Out to embrace their surroundings and use these harsh realities as
motivation to actually do something, and to realize that if you're going to try
to do something in Edmonton, there is no
point in doing it halfway.
And so it goes, Shout Out Out Out Out emerged
from the frozen north as an all-rhythm section, high-kicking, collection of
local rock stalwarts, diving headfirst into the world of electronic music. A
formidable force and a live spectacle from the get-go, with two drummers, four
bass players, and an entirely appropriate mountain of analog synthesizers. Like
in every band's not-so-secret dream, local support grew to national buzz,
national acclaim grew to international buzz, and the upward momentum just keeps
pushing on.
Through it all, Shout Out Out Out Out have maintained the
juxtaposition involved in being an Edmonton band. Sure, this is dance music and really,
it's a damn good time. Lyrically though, darker themes are explored, connecting
those who listen closely enough to decipher the vocoded laments (we're talking
Kraftwerk here, not T-Pain) with themes of disillusionment, debt, and inner
struggle. Not unlike making the best of living in a geographically isolated
permafrost city, Shout Out Out Out Out use dance music to help themselves and
their listeners lighten the load of a heavier existence.
Shout Out Out Out Out is: Nik
Kozub, Jason Troock, Lyle Bell, Will Zimmerman, Clint Frazier, and gravy.