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artist Meatdraw

Victoria, BC, CANADA
.
genres
Alt Pop, Folk
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biographical info

MeatDraw’s second release “Fin Du Monophone” was birthed in the spring of 2008, the temperature just above freezing point, in a one-room barn on an old Vancouver Island commune. Recorded by Colin Stuart (Black Mountain, Veda Hille), this sophomore undertaking is a catchy, hand-clapping hallelujah, a worthy follow up to MeatDraw’s 2006 self-titled debut heralded as a “flamboyant expression of the musically bizarre”.

With any project the band has its dirty hands in, be it a new video or its infectious, barely keeping it on the rails live show, an underlying theme ties the whole experience together. MeatDraw’s lean, mean pop-alyptic “Fin du Monophone” is no exception.

Thematically, lyricist Marco Bozenich draws from Russel Hoban’s 1980 novel “Riddley Walker,” a story set in a post-Apocalyptic world and told through the broken language of a young boy. “The whole language is drawn from all these random books that the author decided to integrate into the story, so the language is so bizarre,” Bozenich describes. “There are little bits from the Bible and little bits from random novels that together create their own version of history.”

The record’s sense of urgency and impending attack imbues tracks with the coercive rhythm section driving “Are We Gonna Die”, “A Very Evil Villain” and the adorably infectious “Old World”. With offerings “Like A Wounded Animal”, “Voodoo Don’t Work” and “Black License Plates” the band exorcises its ghosts with spirited keys and significant vocal harmonies. Clear-cut ukulele, guitars and united melodies drive tracks “Crazy”, “In The Afterlife”, and “Roy (Bomb Shelter Romance)”. The last track emphatically answers the first with a united “We Are Not All Gonna Die” fading out with the arrestingly ominous horn section field call. All in a shit-hot album that clocks in at under 35 minutes.

“Fin du Monophone’s” MeatDraw is the Brothers Bozenich Marco and Stefan, Lily Fawn, Megan Boddy, Will Koltai, Grayson Walker and Marek Tyler with contributions from The Lusty Man-Boy Choir of Thomas Shields, Matt Skilling, Lindy Gerrard and Michael Collinge.

In the spring of 2008 on an old hippy commune on a West Coast island, dogs barked, neighbours visited, drinks were poured and the stove religiously stoked. Adorned in scarves and toques and surrounded by a romanticized setting, MeatDraw and Colin Stuart warmed their hands, stood tall and recorded a blazing self-help audio book about the end of the world.



 

lineup

stefan bozenich bass/baritone bugel
Marco Bozenich Song writer, Singer, Guitar
Lily Fawn Saw, Trumpet, Vocals
merek tyler drummerboy
Megan Boddy Ukulele/Accordion/Vocals
Grayson Walker Accordion Master

influences

absurdity
ghost stories
hank and lily
David p Smith
TV
Fin Du Monophone
Label Independent
Released January, 2009
Fin Du Monophone
MeatDraw
Label Self Righteous Records
Released August, 2006
MeatDraw

Tour Tip #3: BAND FIGHT!!!!!!

posted by Meat Draw   
Nothing brings a band together like a good brawl! We in MeatDraw are generally pacifists, butwe know oppertunistic therapy when we see it.
That's why after a good two weeks of touring MeatDraw goes looking to throw a fist or 2. The optimal way to fulfill this need is to get in a fight with another touring band, that way you can kill two birds with one stone.

We were fortunate enough to be presented with the opportunity to have our butts kicked in Montreal, the zenith of our tour.

We had found an optimal parking spot outside Le Divan Orange, a rare opportunity indeed. My brother held the spot while Marek grabbed the van a few locks away. But after a minute or two another car showed up wanting the spot. My brotehr stood his ground and told the car to move along, the spot was taken, we had several tonnes of gear to move into the club. The driver ignored him, started to pull into the spot and ran over my brother's foot.

My brother is a hot headed fellow at the best of times. but he managed to keep his cool for a few minutes. Mostly i think he was just in shock from the unexpected rudeness. He stood on the sidewalk while the driver and passengers removed themselves from the car. "Hey we're musicians too man, we need to unload here.."

Needless to say this was the opening needed to throw the first guitar amp
(always pack a small, light amp combo-amp, you can throw them farther and faster than a Marshall stack). While we were fast, they were a little faster, and if it were not for Lily Fawn (the smallest and most dangerous of us all) and Korma, her canine companion we would have been toast.

We didnt get our parking spot in the end, but we got some crap off our chests and played a killer show because of it. THANKS MONTREAL!
posted by Meat Draw   

earlier posts

Tour Tip #3: BAND FIGHT!!!!!!

posted by Meat Draw on May 22, 2009  

The Canadian shield will break you and all your kin

posted by Meat Draw on May 13, 2009  

Women !!!

posted by little miss lily on May 07, 2009  

live landlocked shrimp ride the prarie winds

posted by Meat Draw on May 06, 2009  

There's no "fun" in "meat"

posted by Meat Draw on May 02, 2009  

Video

I Don't Want to be Your Ghost 4:38

I Don't Want to be Your Ghost

Vintage cars and murder

where to buy
4307 Main Street, Vancouver, BC
(604) 708-9422
635 Johnson St, victoria, BC
250.386.5874

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