artist Kuba Oms

KUBA OMS BIO

Kuba Oms knows how make people dance. As long time musical director of B.C's legendary electronic jam and, Velvet, he's played with some of the biggest names in the dance world. His new single, Electrolove, has just dropped on iTunes and a Canadian radio campaign is in full swing with radio ADDS coming in on a daily basis. Expect big things from this track!

Born in Victoria to a Scottish mother and Indian father, Kuba is a third generation Canadian.  He started singing at age 15 by playing covers at school and around bonfires.  Growing up on an island,  you can’t just pick up and leave. You’ve got to find something to do and for me, it was music.” Also, an accomplished tennis player, he had the option of a scholarship to a U.S. college, but opted for music instead. And so his pursuit began.

To hone his chops, he started Souled Out, performing renditions of old soul classics from the likes of Marvin Gaye, Otis Redding and Stevie Wonder and Joe Cocker. “That’s how I really learned how to sing,” says Kuba. “Covering those songs was quite challenging. I am drawn to that music of the late 60’s and early ’70’s as there was often a feeling of desperation.” he says. “There was a war going and the civil rights movement was in full affect, and people and like Marvin Gaye and Bob Dylan were prepared to sing about it.”

From there, he formed the legendary Velvet, an experimental, improv unit that crossed into dance/DJ culture. Kuba’s Sunday night residency with the ever-changing line-up of musicians (including then-unknown Nelly Furtado) sold out every week. Velvet released a series of live recordings and 12-inches and became so big that record companies came knocking. But suddenly, Kuba pulled back and disappeared. He resurfaced, citing “girl problems” for his vanishing act. The experience had armed him with demos for his first solo album. “It’s funny what a little heartache can do. Some pretty good songs can result,” Kuba laughs. The heartache however, quickly turned into drug abuse things started to go sideways.  “One day I had an epiphany and realized that if I was going to hit rock bottom, that meant that the music would be gone. I realized that I didn’t want to suffer anymore, because when I suffer, other people suffer,” he explains. “So I jumped through some hoops and checked myself into rehab.” Humbled and rejuvenated he returned home to Victoria to finish the record the appropriately entitled “How Much Time”.