When you first listen to Elena perform, you’ll probably wonder from which old folk record or songbook she dug her repertoire. Elena Yeung taps into timeless themes of hardship, longing and life lessons of the human condition, echoing the roots of folk, bluegrass and mountain traditions while emphasizing her driving banjo style.
To buy online, visit the following links:
Dandelion (2011) - www.indiepool.com/EY2011CD2
The Gravedigger's Daughter (2008) - www.indiepool.com/EY2008CD
Born and raised in the farming community of Carberry, Manitoba by immigrant parents from Hong Kong, Yeung wandered across Canada over the past decade, living in Regina, SK, Kingston, ON, St. John’s, NL, and even briefly in Inuvik, NWT, before settling most recently in the far reaches of interior British Columbia, in an old farmhouse with the howl of the coyotes and the occasional ghost story to keep her company.
Yeung’s second CD, Dandelion, showcases her ability to once again capture the classic bluegrass sound, but also as explores pre-bluegrass influences including old-time piano waltzes, country, and swing. In a dramatic departure from her typical acoustic instrumentation, the track Gonna Build Me A Boat, an exploration of the negro spiritual, sung in a cappella with The Persuasions. Playful themes of a rural childhood, accompanied by infectious, sing-along melodies strike a chord with listeners of all ages.
Yeung is joined by Karl Sommerfeld on fiddle and vocals, presenting an energetic fiddle/banjo duo including a mix of traditional instrumental pieces. Steve Jones (bass) and Keith Larson (guitar, vocals) complete the full band line-up.
Following the 2008 release of The Gravedigger’s Daughter, Yeung has appeared at venues including Dawson City Music Festival, Coombs Bluegrass Festival, Brandon Folk Festival, Kaslo Jazz Etc. Festival, and Salmon Arm Roots & Blues Festival. Her follow-up album, Dandelion, was released in November 2011 and is currently being followed by appearances in BC and Alberta.
Praise for The Gravedigger's Daughter:
“…She plays a mean banjo and sets her searing vocals on the age-old themes of murder and heartbreak…This is a nice little debut for a voice that just might be on the verge of finding its place in the world” – Exclaim! magazine
“…this album could get you through the end of a long Canadian winter” – Penguin Eggs
“…Yeung nails the old-timey/bluegrass genre to the wall. (The Gravedigger’s Daughter) shows off a fine songwriter and banjo player” – The Province
Praise for Dandelion:
"One of Canada's best-kept secrets" - prescriptionbluegrass.com