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artist Aislinn Grant

Calgary, AB, CANADA
genres
Alt Pop, Folk
plays
275
playlisted
8
liked
5

biographical info

I have decided to forgo writing this bio in the 3rd person. I will share with you what I know about myself as a musician- and you can do with this information what you like.

... What kind of music do I make? I will tell you what kind of music I ASPIRE to make. I like many different types of music, so I can only guess that the music I make will be very different styles (given that I am able to acquire all the instruments that I need). I want to make music that makes you smile in your car, and then laugh because you realized what made you smile. I also want to make music that makes you so emotional that your body feels heavy, and your eyes start involuntarily fill with liquid- not out of sadness. I also want to make music that you listen to over and over again trying to understand why it may have been written, and then eventually give up because you realize it was written so that each person that listened to it can associate it with something different. I want to make music that an 10 year old could listen to and appreciate, but a 65 year old could sit and listen to and not assume I'm a hooligan.

There is a feeling I get when I listen to certain tunes, that I can only attempt to describe. It's not an emotion that has a name, just a stew of the ones that make you feel like you've been winded. Cinematic Orchestra- To Build A Home. Bon Iver- Skinny Love. Imogen Heap- Hide and Seek. Wonderwall (Ryan Adams version).
These are a few of the songs that give me this feeling. Feel free to look these up if you haven't already heard them. I hope you will feel the way I feel when I listen to these. Although- then you may have indescribable urge to quit your current lifestyle to become a musician. 

influences

Adele
Feist
alicia keys
Bob Dylan
Aislinn Grant Acoustic EP
Label Independent
Released May, 2011
Aislinn Grant Acoustic EP

Calluses, Crocodiles, and Concerts A recap of travelling the other side…

posted by Aislinn Grant   
So I spent the Last Year Travelling... Here is my recap FIJI Land of Kava, fire ants, and ridiculously cheap alcohol. Fiji was not at all what I had expected, but it was an amazing place to be for 3 weeks. The only thing missing? My guitar that I left at home so as not to “wreck” it. Oh well! I had to fill the void with the child-size High School Musical guitar with only 4 nylon strings. There were a set of them- so when it was time to Kava at night with all the local Fijians, me and the appropriately named lad “Crazy” would jam out to Hotel California on our horrible sounding High School Musical Guitars. AUSTRALIA It was in the beautiful Noosa that I met my future guitar- Rusty. $150 at a pawn shop bought us Rusty, a set of terrible strings, a tuner, a strap, a capo, a ¼ inch cable, and two incredibly tacky picks. Playing Rusty was like breaking a horse. He liked to do it his way- and your fingers would pay the consequences. The action on ol’ Rusty was so terrible that playing anything past fret 7 would end in your fingers being soaked in ice water. At first 20 minutes was too long to play on Rusty- he wouldn’t have it. I pushed through it in hopes that when I returned to Calgary my fingers would be harder than stone. We played our first gig together at Ric’s Bar in Brisbane- a success! Not soon after that, I was surprised with a FULL day of recording for my birthday and had all but one day to get my songs down before I was in the studio. I knew Rusty was not the best guitar to record with, but travelling the world does not tend to leave one with much funding for guitars. 10 hours later (7 of which were guitar) I had completed all 7 songs of my EP. With fingertips bleeding, and vocal chords numb, I walked away with my first solo album. What a great feeling! Several weeks later, a secret started spreading around the streets of Brisbane…that Wolfmother was playing at a local benefit secretly. I had already planned on going, and the rumors were true. No less than 400 lucky people crammed into a tiny alley in West End, Brisbane to watch the legendary Wolfmother. I have to say- that was the best concert I have ever seen. As I watched their giant afros bouncing around stage, I wished so desperately that my friends back home could have witnessed this moment. Too bad! NEW ZEALAND And so, it was on to New Zealand. When taking Rusty to the airport and the kind gentleman asked if I would like to put Rusty through Fragile luggage- I quickly responded, “Hahahahahaha pffft. No thanks.” And sure enough, he was fine! He took me through all my New Zealand gigs- one of which I played in front of an American blues legend with an INCREDIBLY drunk piano player. Not my best show, that’s for sure. The last gig of the trip was in beautiful Queenstown, with all our travelling buddies front and centre. Most of our friends in Queenstown were Irish, one of which was named “Max”. That was not really his name, but his celtic name was one that very few could pronounce so hence “Max” was born. The first time I heard Max sing I thought Johnny Cash had possessed his body. His voice was amazing, and at my last show Max agreed to come up on stage and cover “Home” by Edward Sharpe and the Magnetic Zeros with me. It was an amazing way to end the trip- and at the end of our trip it was time for Rusty and me to part ways. It was only fitting that Max was the one to have him, so that Queenstown could be serenaded for many months to come.
posted by Aislinn Grant   

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